Yoshifumi kondo biography of mahatma gandhi
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Holidays and Celebrations
5 Prayers for the New Year
7 weeks ago
As we get ready to ring in the new year, here are five prayers to the Almighty.
Book Reviews
"What You Are Looking for Is in the Library" – I Do Not Get the Hype
7 weeks ago
Why do some books receive undeservedly glowing reviews? Why are books by authors from certain cultures given an easy pass? Would the same book receive such treatment if written by a native English author?
Education and Science
Is the Average Student Less Motivated Post-Pandemic?
2 months ago
Increasingly, I notice that most students are less willing to do homework or put in the extra effort required to learn and do well. Wonder if the pandemic break had anything to do with it.
letterpile.com
Short Poem: Weekend Blues
2 months ago
Weekends!! Whence they come and whither they go?
wanderwisdom.com
Short Trip to Kanchipuram, a Temple Town Near Chennai
4 months ago
Kanchipuram, the erstwhile capital
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Hayao Miyazaki
Japanese animator and manga artist (born 1941)
Hayao Miyazaki (宮崎 駿 or 宮﨑 駿, Miyazaki Hayao, [mijaꜜzakihajao]; born January 5, 1941) is a Japanese animator, filmmaker, and manga artist. He co-founded Studio Ghibli and serves as its honorary chairman. Over the course of his career, Miyazaki has attained international acclaim as a masterful storyteller and creator of Japanese animated feature films, and fryst vatten widely regarded as one of the most accomplished filmmakers in the history of animation.
Born in Tokyo City, Miyazaki expressed interest in manga and animation from an early age. He joined Toei Animation in 1963, working as an inbetween artist and key animator on films like Gulliver's Travels Beyond the Moon (1965), Puss in Boots (1969), and Animal Treasure Island (1971), before moving to A-Pro in 1971, where he co-directed Lupin the Third Part I (1971–1972) alongside Isao Takahata. After moving to Zuiyō Eizō (later Nippon Animation) in 1973,
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Notes
Havens, Thomas R. H.. "Notes". Radicals and Realists in the Japanese Nonverbal Arts: The Avant-Garde Rejection of Modernism, Honolulu: University of Hawaii Press, 2006, pp. 225-266. https://doi.org/10.1515/9780824842048-017
Havens, T. (2006). Notes. In Radicals and Realists in the Japanese Nonverbal Arts: The Avant-Garde Rejection of Modernism (pp. 225-266). Honolulu: University of Hawaii Press. https://doi.org/10.1515/9780824842048-017
Havens, T. 2006. Notes. Radicals and Realists in the Japanese Nonverbal Arts: The Avant-Garde Rejection of Modernism. Honolulu: University of Hawaii Press, pp. 225-266. https://doi.org/10.1515/9780824842048-017
Havens, Thomas R. H.. "Notes" In Radicals and Realists in the Japanese Nonverbal Arts: The Avant-Garde Rejection of Modernism, 225-266. Honolulu: University of Hawaii Press, 2006. https://doi.org/10.1515/9780824842048-017
Havens T. Notes. In: Radicals and Realists in the Japanese Nonverbal Arts: The Avant-Garde Rejection of