Best biography movies 2011

  • Best biography movies hollywood
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  • Biography movies 2023
  • List of biographical films

    Year Film Subject(s) Lead actor or actress The Story of the Kelly GangNed KellyFrank MillsThe Origin of Beethoven's Moonlight SonataLudwig van BeethovenHarry BaurThe Life of MosesMosesPat HartiganEdgar Allen PoeEdgar Allan PoeHerbert YostSaul and DavidKing DavidMaurice CostelloKing SaulWilliam V. RanousPyotr VelikiyPeter the GreatPyotr VoinovSweet Nell of Old DruryNell GwynNellie StewartCharles II of EnglandAugustus NevilleCuster's Last FightGeorge Armstrong CusterFrancis FordCleopatraCleopatraHelen GardnerFrom the Manger to the CrossJesusRobert Henderson-BlandAdrienne LecouvreurAdrienne LecouvreurSarah BernhardtGiuseppe Verdi nella vita e nella gloriaGiuseppe VerdiEgisto Cecchi The Life and Works of Richard WagnerRichard WagnerGiuseppe BecceSixty Years a QueenQueen VictoriaBlanche For

    Poll: The Best s Biography Movie

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    Bohemian Rhapsody ()

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    The Wolf of Wall Street ()

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    The Revenant ()

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    The Imitation Game ()

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    The Intouchables ()

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    Green Book ()

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    12 Years a Slave ()

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    The Irishman ()

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    The Favourite ()

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    BlacKkKlansman ()

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    Vice ()

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    Ford v Ferrari ()

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    First Man ()

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    The Greatest Showman ()

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    American Sniper ()

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    The Big Short ()

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    I, Tonya ()

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    Hacksaw Ridge ()

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    The Social Network ()

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    The Fighter ()

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    Darkest Hour ()

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    Dallas Buyers Club ()

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    The Disaster Artist
  • best biography movies 2011
  • The bio-pic fryst vatten a genre of extremes. The best ones share a uniquely powerful artistic authority, but merely ordinary ones are truly disheartening. The trouble isn’t only that of inflated prestige; bio-pics are disproportionately prominent during awards season and therefore ballyhooed nearly to oblivion. The form’s peculiar place in the art of movies is inseparable from the reasons for its exceptional prominence in the business. For producers and studios considering which projects to green-light, bio-pics check a lot of boxes. The protagonists are people who audiences are already familiar with and interested in. (J. Robert Oppenheimer may be the exception that proves the rule; he’s less famous than Freddie Mercury, but the atomic bomb fryst vatten more so.) And the illustrious people who inspire bio-pics offer great showcases for actors. That attracts stars, which in vända attracts audiences. Bio-pics bathe the producers, the studios, and the filmmakers in the reflected renown of their protagoni