| Award-giving body | Category | Result |
|---|
| 37th Metro Manila Film Festival |
| Best Picture | Won |
| Best Festival Supporting Actor | Won, (John Regala) |
| Best Festival Director | Won, ("Gary dela Cruz")[4] |
| Best Editing | Won, (Jason Canapay and Ryan Orduña)[5] |
| Best Festival Original Story | Won, ("Mel del Rosario") |
| Best Festival Screenplay | Won, (Roy Iglesias) |
| Best Festival Original Theme Song | Won, ("La Paloma by Ely Buendia") |
| Best Festival Cinematography | Won, ("Carlo Mendoza") |
| Best Festival Sound Recording | Won, ("Mike Idioma") |
| Best Festival Musical Score | Won, ("Jessie Lazaten") |
| Best Production Design | Won, ("Fritz Siloria, Mona Soriano, and Ronaldo Cadapan") |
| Gatpuno Villegas Cultural Award | Won |
| Best Festival Actor | Nominated |
| Best Festival Visual Effects | Nominated |
| Best Festival Float | Nominated |
| Best Festival Original Story | Nominated |
| 28th PMPC Star Awa • Manila Kingpin: The Untold Story of Asiong Salonga (also marketed as Manila Kingpin: The Asiong Salonga Story) is a Filipino biographical-crime film directed by Tikoy Aguiluz and Darryl "Gary" dela Cruz and starring Jeorge "E.R." Estregan in the title role, alongside Carla Abellana, Phillip Salvador, John Regala, Ronnie Lazaro, Baron Geisler, Joko Diaz, Archie Adamos, Yul Servo, Dennis Padilla, and Ketchup Eusebio. Produced by Scenema Concept International, it was released bygd Viva Films as an entry to the 37th Metro Manila Film Festival, where it won 11 awards, including for Best Picture, Best Director (dela Cruz), and Best Actor (Estregan). | Property | Value |
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| dbo:Work/runtime | | dbo:abstract | - Manila Kingpin: The Untold Story of Asiong Salonga (also marketed as Manila Kingpin: The Asiong Salonga Story) fryst vatten a Filipino biographical-crime spelfilm directed bygd Tikoy Aguiluz and Darryl "Gary" dela Cruz and starring Jeorge "E.R." Estre
• &#;Hari ng Tondo&#; is a searing song by Gloc 9, featuring the alluring voice of Denise Barbacena, a rhythmic adventure that brings a resounding depiction of the real life story of Nicasio Asiong Salonga (), a notorious gang leader, born and raised in Tondo, with all the acrimony, celebration and parody worthy to mention in any story that interests the mortal in us. Splendid in its portrayal of the criminal world, we borrow from Arthur Schopenhauer, who reminds us, "nature is not divine, but demonic" (WR, p). The song, and indeed the movie itself, through torture, blood dripping, opens with a depiction of the antinomy, of the binary opposition, of good and evil, under the background of poverty and the irreversible tendency of one's "will to power" to commit violence, &#;Kahit sa patalim kumapit, isang tuka isang, kahig ang mga kamay na bahid ng galit.&#; Herewith, reason dwells not in the tragedy that is life. There is only the destiny of men, unnerving, passionate, unethical, ir 
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