Hahanapin ko lyrics anthony castelo biography

  • Explore the lyrics and emotions behind this iconic piece of music.
  • Aking Bituin · Street Ballet · Daigdig Mo, Daigdig Ko.
  • Read about Hahanapin Ko from Anthony Castelo's Hanggang ngayon and see the artwork, lyrics and similar artists.

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    The lines above are from the classic love song entitled Balatkayo composed by the Philippines’ King of Love Songs, Anthony Castelo . The song laments how his lover has turned out to be a phony. So, he grieves that most people live life pretending; putting on an act; faking love or happiness; being balatkayo.

    Fortunately, the multi-awarded singer/composer is exactly the opposite of being a balatkayo. A truly accomplished international artist, Anthony is a genuinely caring and loving human being who has lived to make a difference in the world he lives in. Despite a long list of gold records, sold-out concerts and outstanding performances for world dignitaries like US President George W. Bush, Saudi King Fahd, Moroccan King Hassan II, Princess Margaret of England, Premier Suzuki of Japan, and Pope John Paul II, he has not been dazzled by show business. He has always had an innate charitable interest in others; looking for ways to extend help, show kindness

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  • hahanapin ko lyrics anthony castelo biography

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    Metro Manila Popular Music Festival

    The Metro Manila Popular Music Festival (also known as Metropop) was launched by the Popular Music Foundation of the Philippines in and held annually from to [1] It was "the country's pioneering and once foremost songwriting competition," according to The Philippine Star.[2] Its objective was to promote the advancement of Filipino music, and its chief proponents were journalist Teodoro Valencia and Imee Marcos.[3] These festivals launched many the careers of songwriters and singers (who interpreted the songs), and gave original Filipino music more than a few memorable and modern-day song classics. Among them is Freddie Aguilar.[4]

    This songwriting competition was originally open to all music composers. From the fourth festival onwards, the competition was divided into professional and amateur divisions, to give new songwriters a level playing field without competing with more well-known composers. A