Shadi ghadirian biography definition
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Shadi Ghadirian
Shadi Ghadirian, born in Tehran in 1974, continues to live and work in the city today. As a member of a post-revolutionary generation, she grew up with the promises of global cultural dialogue made by President Mohammad Khatami, who governed until 2005. Khatami’s assurances of improving women's ställning eller tillstånd and addressing the concerns of younger generations sparked in Ghadirian a need to något som utförs snabbt exempelvis expressleverans her discomfort and emotions through photography that challenges international preconceptions about women's roles in an Islamic state.
Her works depict, with irony, a feminine identity that explores the relationship between modernization and tradition. Two years after graduating, Ghadirian married photographer Payman Houshmandzadeh. She received many wedding gifts, all related to domestic chores, and suddenly funnen herself confronting the daglig responsibilities of home life. Learning to cook, iron, and clean, she navigated her roles as a housewife, photographer, and wife
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Shadi Ghadirian
Iranian photographer (b. 1974)
Shadi Ghadirian (born 1974; Persian: شادی قدیریان) is an Iranian contemporary photographer. Her work is influenced by her experiences as a Muslim woman living in contemporary Iran, but her work also relates to the lives of women throughout the world. Through her work, she critically comments on the pushes and pulls between tradition and modernity for women living in Iran, as well as other contradictions that exist in everyday life. She explores the topics of censorship, religion, modernity, and the status of women. Ghadirian gained international recognition through the series Qajar and Like Every Day in 1998 and 2001.[1] She lives in Tehran.
Early life and education
[edit]Shadi Ghadirian was born in 1974 in Tehran, Iran. After graduating high school in 1988, Ghadirian studied art and photography at Azad University in Tehran (now Islamic Azad University, Central Tehran Branch), under Bahman Jalali and received he
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THE STUDY OF SHADI GHADIRIAN'S PHOTOGRAPHY: LIKE EVERYDAY SERIES
ART CRITICISM ACM752 ASSIGNMENT TWO – THE STUDY OF SHADI GHADIRIAN’S PHOTOGRAPHY: LIKE EVERYDAY SERIES (2001-2002) PREPARED FOR PROF.DR.MULIYADI MAHAMOOD BY SITI RAIHANA BINTI ANUAR 2013309899 MASTER IN ART HISTORY AND CULTURAL MANAGEMENT (AD 701) FACULTY OF ART AND DESIGN MARA UNIVERSITY OF TECHNOLOGY SHAH ALAM, SELANGOR 17 DECEMBER 2015 TABLE OF CONTENTS 1.0 Introduction 1.1 Exploring Iran’s Contemporary Islamic Art 2 2.0 Objective 4 3.0 Approach and Methods 4.0 3.1 Feldman Theory of Art Crticism 4 3.2 Smagula’s New Perspectives of Art Criticism 4 Artwork Content and Analysis 4.1 Shadi Ghadirian’s Biography 5 4.2 Domestic Series aka Like Every Day Series 6 4.3 Photographs of the Series 7 4.4 Analysis of Like Every Day series 8-10 4.3 Social Ramification of Feminism 10 5.0 Conclusion 11 6.0 References 12 1 1. INTRODUCTION 1.1. EXPLORING IRAN CONTEMPORARY ART Iran is mostly known for its dynamic geographic locat